Thanks for the reply. Ok, for this, I'm going to need step by step guidance, because this problem is one that I'm going to be facing a lot on my project, and I've never done such in depth audio editing, as you know.
Ok...for this.. "Before running the pop/click filter, you need to lower the levels of the audio. Re-normalize it to 50% in
SoundForge -- or whatever other audio tool you want to use, SF is my preference."
What do you mean re-normalize it to 50% in SF?.the ony thing that I've ever done in SF, is the filters..
Now, for the Goldwave Pop and Click, I've never used that either, the only thing that I've ever done in Goldwave is convert the audio to .wav, and close the program. Where does using the pop and click filter need to be in my workflow?
Here is my current workflow -
Capture
Edit in Womble if needed
Split the audio with TMPEG
Encode in MC
Convert audio to WAV in Goldwave
Restore audio in SF
Convert to AC3 in Womble
Edit
Burn
For this..
"his exact problem is why the Hiss Cut Alternate 6 was created, many years ago, for a near-identical situation"
As far as this goes, you never never mentioned Hiss Cut 6 to me before, what you told me to do was Hiss Cut 2 twice, if need be (sometimes I do it 3 times) then Hiss Cut 1 (sometimes I do it twice) then Hiss Cut 0, then High Restore E of F, because they are Hiss Cut maintained. Where would Hiss Cut 6 fit into all of this? Can you give me an updated order of what Hiss Cut filters that I should use?
Do I do this Pop and Click in Goldwave, before or after I take it in SF and do the Hiss Cut filters? Also, how can I tell when I should run it, or should I just do it everytime?
Also, what steps did you take to get the sample fixed..should I use the steps that you did on most of the other ones?