DTS has a different (wider) dynamic range compared to Dolby Digital. Personally, I don't like DTS anyway, as speech is too quiet, and I have to turn up the volume to hear what's going on, and then a music or some action (explosion, car chase, whatever) will about destroy my speakers a few seconds later because it's overly loud. It's an aggravation to have to keep a remote in your hands at all times, to avoid going deaf or blowing your cones out. Wider dynamic range is artificial and unnatural.
PCM, AC3 (Dolby) and even MPEG Layer II is better for hearing. Audiophiles will probably disagree, but many of them are divorced from reality anyway -- they hear what they want to hear.
I would convert it to 5.1 WAV, split it to 6 WAV files, and then augment the WAV files, one channel at a time. Then convert it back to AC3 (Dolby Digital), in proper channel placement. Converting to DTS requires high end pro software (the homebrew encoders are junk), so it's really not an easy task.
I have software that is long discontinued, including A.Pack for Mac (came with DVD Studio Pro 1.x) and Sonic Foundry Soft Encode for Windows XP, that I use for infrequent AC3 5.1 audio work. Almost all video sources I handle are 2/0 stereo sourced. Surcode has a DTS encoder, as a plugin for professional software like
Sony Vegas, Adobe Premiere, Pro Tools and Sonic Foundry
Sound Forge.
For the actual time expansion (or "speed up") of the audio, use Goldwave. It has a very precise conversion tool that can use SMTPE timecodes (hour:minutes:seconds:frames), as opposed to typical percentage-based time filters.
I find eac3to to be useless to date.