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Originally Posted by Mejnour
I am wondering if this test just show the limitation my original source, basically we comparing 80' technology vs 00'?
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Try 1970s technology.
What's rather sad is that picture recording quality got worse as time went on, and not better. There was this idiotic demand for "detail enhancement" that boosted high frequency noise, giving a false appearance of detail. This was then recorded into the video, resulting in a grainy image that compresses poorly with modern MPEG-2 and H.264 compression.
Only audio improved over the life of the VHS format.
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Or that should not be that bad, meaning that the workflow was not optimal, and normally with the right tool and knowledge you should be able to get commercial DVD IQ?
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Commercial source is
- clean, from either a film scan or broadcast master tape format (1" tape like D1)
- color-accurate and calibrated at every step
- high in resolution, at least double/triple of VHS, if not closer to 2K or 4K resolution (film)
- encoded with high-end hardware, using custom matrices and GOP
- 4:4:4 colorspace
VHS source is:
- noisy, full of frequency noise
- weak and inaccurate color, due to color-under method
- low in resolution, about one-third to one-half of maximum DVD resolution (~200-360/x480 vs 720x480)
- generally encoded with software or consumer-grade hardware, which is ideal for this source
- 4:2:2 colorspace
Garbage in, garbage out.
Not that what you see is "garbage", but simply that you can't really improve it when the limiting factor is the inherent flaws. Signal restoration removes as much as possible, sometimes even removing inherent flaws (grain, chroma noise, etc), but some factors are too damaging to repair as you cannot create data where none exists. At most, you can remove flaws, you can't add what is missing.
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Or maybe I just constating the effect of i vs p?
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No, it's not that -- not an issue of interlaced vs progressive.
What you're observing is simply an issue of resolution, color depth of the source, and purity of the noise.