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Originally Posted by Hushpower
(Post 87289)
You get what you pay for, Lingyi. Out of interest, how much would you charge for the transfer of 100 beta tapes with full AVISynth restoration?
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I don't see what that has to do with the conversation. :hmm:
Quote:
Originally Posted by lingyi
(Post 87293)
Depends on the content and how much I want the best possible, up to the limits of the original. Several hundred dollars per tape wouldn't be too much.
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FYI, depending on factors, this is accurate. Consumers rarely opt for this, but higher-end clients do, such as documentary filmmakers. (Why filmmakers? Well, it should be obvious. You can't broadcast crap. Quality of work has diminished some in past years, but the broadcasters will reject garbage. So if you want your documentary to be successful, you cannot be a cheapskate.)
Quote:
What erks me about people like the OP is that prey on people who don't know or worse, may pretend they know what they don't. If you don't know, "Dazzle and baffle them with bullsh*t!" so they'll buy what you're selling.
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Correct. I've seen that for my entire career, predating video/studios, in several other fields. These people only stop their BS when the reputable members of the field call out their BS. Bad prevails when good is silent. Video conversion has a lot of quacks, and video hardware has a lot of cranks. They're abusive to customers, lie to them, etc -- especially elderly/retired customers. It's disgusting. And it's happens more in the past 6 or so years, since certain politicians have fostered bad behavior in society.
I'm all for somebody starting a business, getting education, starting a new job/career, etc. But it must be done right. Not a "video conversion service" using crap found at Goodwill, not somebody with a "Google degree" (though self education can sometimes be fine, if you vet sources, not just randomly watch Youtube mind vomit and assume it's accurate information). Proper tools, proper education, a business plan, and good luck! Don't halfass it.
Quote:
Originally Posted by lollo2
(Post 87296)
That's priceless.
A basic restore just to hide head switching noise and some minor adjustements, should be free and included in the service.
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That's ridiculous. Anything past the capture (aka hardware work) is extra processing time (aka software work), and of course incurs extra costs. The base capture service gives you lossless/raw files. If the client wants something beyond that, costs go beyond that. Now, some processing may be nominal, but it's not free.
Quote:
Originally Posted by Hushpower
(Post 87297)
Lingyi, You have absolutely no idea of the relationship and arrangement between the OP and the user. They may well have ben upfront and honest about the Betamax transfers. To categorise the OP as "preying", "pretending to know when they don't" and "dazzling them with BS" simply because they are asking questions is uncalled-for.
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I don't assume things often, but I trust lingyi to not make unsubstantiated comments (as that's just not who he is). I've not had time to visit VH much lately, so I'm assuming the OP has already let that info slip out. At a glance, I don't see that thread. Perhaps it should be linked here?
I try to help our members as much as I can, but I refuse to spend my time helping somebody that (1) is charging money for work where they (2) got in over their head (3) by taking in a massive amounts of tapes. I suddenly feel used.
I have nothing against helping peers, or even non-peers, who charge money for services. A challenging tape, hardware suddenly blitzed out, etc, sure! But 100s of tapes, not knowing proper terms, not using using proper hardware or junk? Hell no. I have better things to do.
Quote:
Originally Posted by latreche34
(Post 87303)
Even the forensic lab probably doesn't charge the law firm that much per tape.
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Then you would be surprised. A tape for $1k would even make me flinch. Par for the course. Do you have any idea what all is required for it? Licensing, training, software, etc. It blurs the lines of law enforcement with video. I had a chance to pursue this in the 2000s, at an impressive agency, but the studio job offer paid more, better hours, less commute, and so I went there.