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Thanks for clarify this.
I have read you go the SDI Capture way. Yeah this could be a upgrade to the HDMI capture. Unfortunately I haven't tried it. My main capture card is the Canopus NX. |
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In the video 7.21 Capture from MiniDV. It will deinterlace and capture to a full 60 fps. It cannot capture 4:3 in 720p og 1080p but adds pillarbox 14.00 capturing from VHS, but glitches, audio not good. It supports PAL but converts from 50 to 60 fps Because of the pillarboxing, the possible glitches and bad audio I think it is not a good option for capturing analog 4:3 video. But the idea of a device that captures, deinterlaces and upscales is tempting. Quote:
https://www.youtube.com/watch?v=HEI9BFXmeNc You mention double-frame-rate. Should I use the double framerate generated by QTGMC? Right now I add the SelectEven() command to get back to 25 fps. Quote:
Right now I capture analog like this VCR > ES15 > Hauppauge USB 2 live > PC I understand a HDMI capture workflow would then be VCR > EX77 > Blackmagic > PC This workflow seems to be tested and recommended by some in the internet. But as you say no upscaling or deinterlacing. So not an advantage unless the quality is better. A stand alone S-VHS/Scart to HDMI converter with integrated upscaling and deinterlacing would be nice. But the conclusion seems to be that these HDMI converter/scalers are just not good enough quality. |
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I already have JVC GR-AX68 VHS-C camcorder and JVC HR667 VCR which I intend to use in a similar workflow as follows: VHS-C camcorder / VCR > Panasonic DMR-ES10 as a passthrough > Kramer FC-400 as a TBC > Blackmagic Intensity Shuttle external capturing device > notebook for further editing/conversion of which I have not yet decided the details. My 1990’s camcorder / VCR naturally have composite outputs only. Therefore, the signal will be converted to S-Video by the DVD recorder and sent to S-Video input of Kramer FC-400 and further via S-Video output to the capturing device for digital conversion – the scheme you were very critical of. Was it because of the subsequent upscaling / de-interlacing, because of ‘crappy VCRs’ or both ? Is using a not Super VHS VCR an absolute crime? I remember seeing the (Lordsmurf’s?) remark that sometimes a good VHS VCR could be better than a degraded S-VHS. I just came across a used JVC-HDR7600EU S/VHS (as an example), which sells for around $200 on the local market. Mine is a home animal, the one for sale is of unknown state (declared ‘good’ and ‘working’). It is claimed it has a built-in TBC. If I opt for this device will DMR-ES10's TBC become obsolete? Is it actually worth doing (switching to Super-VHS and to that model in particular)? Thanks in advance for the reply. Other members' replies also welcome! |
If you mean the HR-J667, those models are pretty decent as far as standard VHS hi-fi VCRs go and share a fair bit of the chips and mechanics with the SVHS variants from the same lineup such as the HR-S7600 (though they don't support SVHS and lack S-Video and TBC/DNR function obviously). Combining it with an ES10 is a decent low-budget setup IMO.
You don't strictly need the TBC unit if you already use an ES10 or similar but it can sometimes be useful. They do give a stable output signal, though they can output copy-protection if it thinks the input signal has it which can trip up some capture cards, and they turn off the S-Video and composite outputs if they see no input signal (which can happen during playback if you have a tape that was recorded to without any video input on the VCR.) I have yet to check if the same is true for the component output. |
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See advice in both. |
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