Choosing JVC DD vs no DD? (dynamic drum)
Hi all,
I’m at the stage now where I’m choosing a S-VHS player. For context, I live in Australia so require PAL playback. I’ve taken a look at the recommended models [https://www.digitalfaq.com/forum/vid...ng-guide.html] and compared them to what’s on https://vcrshop.com. Two of the highly recommended (bolded) JVC units are on there:
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I can't comment on picture quality differences since I own 2 JVC VCR's only and they are sisters, But the DD system will eventually fail, Actually it cracks first and works with no problems for a while until it suddenly starts the shutdown syndrome. 99% of them are already cracked.
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The dynamic drum was designed to enhance the picture during pause. If you don't overuse the pause button no reason for prematute cracks imo
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Not just pause, step by step, 2x, 3x, 5x, reverse playback, -2x, -3x, -5x and every time the VCR is powered on it does a self check by spinning the gears, There is no way of not using it.
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Only buy PAL decks from VCRshop.nl, don't screw around with other places. And tell him lordsmurf sent you. (I get nothing for it, but I do want him to know where his business is coming from.) Quote:
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Decades ago, there was the evidence that the DD decks gave better picture. And that remains true. But at the time, it was falsely believed to be because of the DD. However, it's coincidental. The decks are just all-around better/best, though a few JVC units are similar. A lot of non-DD JVCs do slightly soften the image, various minor quality reductions. It's very tiny, most never notice, but it's obvious in a A/B comparison, assuming the S-VHS tape is high quality. VHS tapes can be harder to see differences, and it usually just appears different. I've revisited conversations, test footage, etc, that led us to that conclusion years ago. I never really gave it much thought until conversations here, this past year. We were all wrong 20 years ago. |
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Overall the 8600 give me better picture especially with Ep tape (more stable picture, less snow, comets) Don't beat the SR TS1U for EP tapes though |
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The 7600 and 7611 are my favorite, the 7711 and 7722 are next. I currently use a pair of PAL 7600, but own others, and have used/owned many others in the past. The VS30E is decent if available. But, again, most importantly, is where you buy decks now. For PAL, VCRshop. (I currently have a full PAL workflow in the marketplace, but that will be my last one, no more, just TBCs and capture cards for PAL after that.) |
Awesome, seems DD are a definite no-go based on what everyone has said.
Will be purchasing the 7600 =) They have two, but from what I can tell one is made in Germany and the other in Malaysia, definitely going for the German one. Thanks all for the quick responses! |
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For the fun of it, a little comparison:
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No, That's not how comparison work, PAL60 is a reprocessed output and you can't compare a NTSC VCR to a PAL VCR, comparison should be done within the same standard, using the same tape and the same VCR settings if possible. What you showed is a comparison between different outputs, but since NTSC 3.58 is the original signal recorded on tape off course it should look the best.
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Even then, pay attention to model info, such as DD vs. no DD, as this OP did. I tend to make very specific suggestions, not loose suggestions. |
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I did some tests with smpte bars to compare ntsc vs pal60 (some time ago), it's very close, in fact most vhs i have digitized i used the pal60 vcr and after some minor color correction tweaks it was just about right. I'm talking SP retail tapes here. EP is another category... |
Comparing NTSC and PAL decks in that sense is fine, but I would maybe do the comparison with EDIT enabled on all of the decks rather than edit vs non-edit. Some of the newer JVCs tend to overdo the noise reduction a bit regardless of system.
As you note, EP recordings may be more affected than SP ones due to differences in head widths and in case of hi-fi, difference in hi-fi head positions in pal vs ntsc. (the panasonic AG-W1 had 4 hi-fi heads and some early ntsc on pal decks lacked hi-fi in ntsc mode for this reason as the engineers hadn't fully figured out how to handle it yet.) As for NTSC 3.58 vs 4.43 vs PAL60 it's complicated. The only difference between ntsc 3.58 vs 4.43 is that the color frequency so all else being equal it shouldn't make any difference, esp with s-video. (Though there could in theory be some difference in how well Y/C separation is handled depending on video ic if using composite). PAL60 involves some extra processing. As detailed in this technical manual, on earlier vcrs this involved dropping every other line of chroma and alterhing phase relationships on the rest. Idk if later devices improved on this or not, especially with digital circuitry like on the JVCs where the signal is demodulated for processing anyhow it would be easy to output as whatever but idk how it was implemented. Quote:
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