![]() |
Quote:
Part of said article will discuss resale, as casual consumer have this idea of buy it, put it in a drawer, and eventually trash it. A problem mentality created by our "disposable" society and economy. |
Quote:
Quote:
Also why I have the feeling that if I come across a recommended TBC in the sub-$1000 range that I'll buy it and not want to resell it unless I really need the cash & have moved on to a completely different project. I know this is really going off topic but for the TBCs you have for sale in the marketplace, the Pixie and Cypress 8120 (composite only), would you recommend either of these for my video8 project, or just experiment with what I have for now until something else pops up? I assume composite only is no good since y/c has a sharper image, but not sure on the Pixie since I'm not using a VHS source. Thanks again for your time & help. |
Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
The Pixie can be fine with Hi8. Only potential concern is any blue screen at footage breaks, if any. This is something I could test if anybody seriously wanted it. Or, better yet, just disable camera blue screen, and done. My focus with it has generally been VHS. - Note: Disable blue screen does not apply to JVC S-VHS VCRs. - Note: Unlike bad black AVT-8710, no random frame sticking. Only similar issues, not the same. - Note: This ONLY applies to the pair of units I had available in the marketplace (1 left), and both myself an others tested others awful unusable Pixie units. Aside from this unit, I'd suggest folks stay far away from these, and I'm doing so as well. |
Quote:
|
Quote:
Quote:
Quote:
Quote:
|
Just to go back to mixers, I like Berringher kit for what it is, it's cheap and cheerful and it's pretty robust. Hum and mains isolation is something we've battled for years though, that's UK market models though.
Mackie (which personally I would consider a level above Berringher) is usually built from better materials. We still rent out Onyx series to some fairly prestigious customers. Whilst being basic they're usually of far better construction internally. We are still have a classic 16 channel Onyx (1800?) on the books that has been gigged non stop since 2009ish for live mixing, or VOG and beyond the odd clean and to pick the fag ash out the sliders it's been faultless. It depends on the market but either Yamaha for near field or Tannoy Reveal. Reveal are now available in a more wallet conscious version and are astonishingly accurate. The new Berringher digital series (model number escapes me) are wonderful, we've been blown away by them in small/medium live setups. As a radio presenter though, a classic analogue Sonifex is still my standard; that's an apples to oranges comparison though. These are just general notes, I'm mobile so will reply fully of this is an ongoing issue - audio is something one of my businesses know about to say the least. My business partner is a producer/engineer for one of the global 'big boys' when it comes to broadcast audio and restoration. There is great kit out there though at modest prices, but I'd just caution the basic 8 channel Berringher for 'delicate' work. |
Quote:
I got lucky back around 2006. Mackie had just bought back the Tapco name, and released several mixers with that branding. I had a reward (free money, $50) at an AV store, didn't see much of interest, or even much of anything for only $50, so I used it for the new Tapco, paying about $10 out of pocket. I figured if it sucked, I'd just resell it, I'd profit off my $10. These days, comparable Mackie/Tapco are about $100. Tapco was supposedly the "budget" brand of Mackie, but users were confused about what exactly was budget. It performed better than Yamaha, Behringer, arguably even some older Mackies, for units of the same approx I/O and features. Here's a good review from the time: https://homerecording.com/bbs/thread...-mixer.210816/ https://gearspace.com/board/low-end-...-mixer-ok.html |
Quote:
I could 'willy wave' here but that's not helpful. Few have had an event or broadcast ruined by the model or mixer - unless it's of toe-curlingly bad quality. We've produced content for the BBC on Zoom H1s and Berringhers. I stand by previous remarks though, a good detailed set of headphones is still the first line of tool. |
Quote:
Mackie ... Mr. Mackie ... started with the Tapco brand in the 70s. There was no Mackie brand yet, that came in the 80s. Mackie sold the Tapco name, then bought it back. https://en.wikipedia.org/wiki/Greg_Clark_Mackie#TAPCO Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
Quote:
|
I finally received the Mackie and some new cables and plugged it all in. While I am now able to better control the audio levels, it seems like the signal coming out of the Mackie is slightly quieter on the left channel than the right. I did a test with a tape I know to have mono audio and going direct into the ATI the audio is balanced, and out of the Mackie the left channel is slightly quieter. I panned it slightly to the left with the mono tape so the levels are more or less balanced now (it doesn't seem possible to get them to line up exactly), but I worry that I am doing something wrong here. What do you suggest?
|
Try different (and better) RCA cables.
|
I'm pretty sure it isn't the cabling. I tried two different sets of brand new cables, one Monoprice:
https://smile.amazon.com/dp/B002JTV7...roduct_details) and the other Pig Hog: https://smile.amazon.com/dp/B017Y449...roduct_details) I've seen both brands recommended. I am getting the same result with each (left channel a little quieter), even though they both plug in and out of separate jacks on the Mackie. Additionally, when I take the rca cable out of the Mackie and plug it directly into the ATI I get a balanced signal. What do you think? |
It could be the tapes, recorded signal.
It could be the VCR. |
After capture, do you normalize the stereo channels independently? https://manual.audacityteam.org/man/normalize.html
|
Site design, images and content © 2002-2026 The Digital FAQ, www.digitalFAQ.com
Forum Software by vBulletin · Copyright © 2026 Jelsoft Enterprises Ltd.