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Advice on line TBC, frame TBC for my workflow?
I'm slowly acquiring parts to build a workflow "worthy of Mordor" for preserving family videos (for example, my wife's family has a ton of tapes).
So far, here's my current equipment: VHS Equipment: JVC SR-VS30U (Thanks, LordSmurf!) An older non-S-VHS VCR for rewinding to prolong the life of my SR-VS30U Capture Devices: ATI AIW (Thanks again, LordSmurf!) Hauppauge USB Live2 Systems: Windows 11 desktop Ryzen 5 5600X 3.7 GHz 6-core CPU 32 GB DDR4 RAM Windows XP Desktop (for AIW card) 3.2 GHz Pentium CPU 1 GB RAM I realize I need a Line/Frame TBC but I'm unsure as to what to look for. I've read on the forums about the Panasonic ES-15 or ES-10 as well as the Datavideo DVK-200. However, I'm still not sure what to acquire for the best VHS dubs. My goal is to acquire them next year. Thank you to anyone who can advise me on the next equipment to pick up here! |
The Panasonic ES10/15 is a DVD recorder, that contains a strong+crippled line TBC, with non-TBC frame sync. It is not a TBC, nor a TBC replacement. It's a DVD recorder, with the unusual function of passthrough. It adds quality flaws (processing noise) to video, it's not transparent. It's merely a "least worst" (aka "better than nothing") unit to provide some sort of basic TBC-like functionality to a workflow. The quality from the JVC S-VHS VCR will be degraded inside the DVD recorder. The line TBC in the JVC may conflict with the line TBC in the Panasonic. At best, with both line TBCs on, the JVC works, the Panasonic does nothing. The JVC has on/off for line TBC, the Panasonic is always-on (for better or worse). For you, this is not optimal. It's the cheapest option, but you get what you pay for.
Modded/preset DVK is a step up, but it's still not foolproof/flawless in operation. The frame TBC in this "also has" device is weaker, and has "teal screen" problems on bad tapes (especially nth gen tapes, copies of copies). However, pricing is midway between ES10/15 and "real" frame TBC, up to $1k less. So if your tapes are not awful, it can be an option. There are few specific composite-only TBCs (that must be modded), which slightly reduce sharpness vs. s-video, but can be superior to either ES10/15 type of the weaker/"also has" forms of TBC. But most ideal is the s-video TBC. Yes, most expensive. But also yes, it gives the last number of issues in usage, and best quality output. Always be aware that model means nothing in the 2020s. What matters is condition, and prior service/refurb work. There is a lot of bad gear out there now (especially on eBay), generally sold by non-video know-nothings ("flippers"). |
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$2-$3k should be more than enough for a frame TBC. I do full recaps/refurbs on TBC-3000/4000's for $250/$300 shipped (to the USA) and you can usually find untested units on eBay for around $1k. LS probably also has some TBCs in that price range as well though.
I personally like the older For.A FA-310's, I have a few already refurbished and recapped, but there's some controversy as to whether they are better than the Datavideo ones or not, they certainly are less expensive and retailed for much more when new. Some posters that have tried both like the FA-310 much better, but I suppose both have strengths and weaknesses. The FA-310 is certainly larger and heavier (probably 20-25lbs). They do have S-Video in and out and also adjustable Y/C delay (datavideo does not have that) which can be pretty helpful if the luma and chroma are shifted horizontally which is actually rather common on second or more generation tapes. Those I'd planned to sell for $600 shipped, but haven't gotten around to listing. |
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