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The non-animation videos also submitted are interlaced. They were apparently created as non-film, interlaced digital video. But there is a problem with the interlace (line twitter and aliasing on movement), so those two videos have had some kind of bad processing. I haven't had time to work with them yet. |
Yes... Films are, actually, "films" and films the television broadcasting stations in progressively have taken up.
However, my customers have taken up these films earlier on VHS tape from cable and were sent analogous. With films I mean, actually, Consumer films on VHS,S-VHS-C, Hi8 and Betamax, Betacam SP + D9 I have animation video very seldom. http://www.mediafire.com/download/kk...rfis_Brain.zip |
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I can't say anything about the "Turbine" videos, not having seen the original. But neither of the IVTC scripts will work on those instructional videos. They're not telecined. Whether the Turbine series are interlaced or not, The "Turbine" video using IVTC2 still has some interlaced-blur frames and several dropped frames. Power1Test.avi and Power2Test.avi have identcal problems. I worked with PowerTest1, which had better and cleaner color -- better, if you can work past the same chroma screw-up that's in both videos. Look at the images below from PowerTest1 (the same frames in PowerTest2 show the same effects). Shown below is an odd-numbered field (left), and an even-numbered field (right). What color is the guy's shirt? If it's greenish-tan (left), the shadows are correct because they're just a darker shade of the brighter parts of the shirt. How about the right-hand (even) frame? Looks like all the even fields have that bad coffee spill on the bright parts of the shirt, but the shadows are still greenish. Odd-numbered fields all have consistent color. http://www.digitalfaq.com/forum/atta...1&d=1440631171 Also in the even-numbered frame (right), note posterization and hard gradient edges between reddish and greenish in the shirt, plus more noise and artifacts in the guy's facial shadows, in the right-hand background, on the right side of the guy's helmet, and on the left background wall. I prepared a demo of how this noise changes between fields (which in the attached mp4 demo are deinterlaced into full frames). There are 40 frames in the demo, each frame displays for 1 second. The 40-frame sequence plays twice in the demo: Power1_Chroma_Demo.mp4. The noisy aliasing and line twitter every time the guy's yellow helmet moves won't go away, unless you use filters strong enough to soften and distort everything in the image. There are obvious signs of poor pre-processing for the master tape. The color problems are likely due to improperly cropping and resizing YV12 video, which messed up colors in the even frames.The Even fields look so bad that I deinterlaced, kept only the Odd fields, cleaned maybe half of the motion noise, corrected the mildly green overcast, then encoded as interlaced 29.97fps. See attached Power1.mpg. I might have noted it before, but most of these samples had bad audio sync. I corrected that in power1.mpg. |
Thanks.
From your previous work I'm going to guess that you used "QTGMC" to deinterlace and then SelectOdd() to keep the odd fields in avisynth? Mind sharing the script? I've tried to use QTGMC in the past but have been unable to get it to work. I get an error along the lines of "mt_makediff: unsupported colorspace. masktools only support planar YUV colorspaces (YV12, YV16, YV24) (QTGMC -3.32.avis, line 776" I've tried to go around it by putting "ConvertToYV12(interlaced=true)" before QTGMC but get laggy video playback. |
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Note in the script below that the Crop() must be performed in YUY2 before going to YV12. Code:
AviSource("Drive:\path\to\PowerTest1.avi") |
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Difficult to say. All the earlier animations with the heavy red color cast and thicker edge halos were said to be from the W5U.
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The thread looks interesting, but it would take too much of my time. :( |
I deleted some files made with copyrighted material.
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OP is long gone, but someone else may be interested.
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Perhaps the VHS playback is internally processed as composite, and if the S-Video output is used it's just passed through a horrible Y/C separator (notch filter maybe?). Like the way some S-VHS units produce their on-screen menu system. |
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