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shit phil, your right, ... that sux then,
u said u were gonna try queenc with kvcd matrix & trells we use 1 at a time right or both at the same time? |
That would explain alot, anyhow i'ma go do a test kdvd with dvd rebuilder & quenc
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I used just FluxSmooth for both, though I'm going to try UnDot and Deen on my next encode. As for the subs, that's obviously a bug. You should post a bug report. |
By the way, you can use custom matrices with DVD-RB and CCE using RBOpt. You can find it in the DVD Rebuilder forum on Doom9.
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You might also want to try the combination RemoveGrain + RemoveDirt, both can be found at the D9 forum. I prefer them to UnDot and Deen. |
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For the awfull picture : all is due to the cell-by-cell process but we already discuss about that. Quality between chapters change a lot according to their length and the overall quality if awfull. I'm not saying that any point in the movie was such ugly. And it seems you used a patch that I didn't had so you encoded with Notch-Matrix where I used standard one. That makes a big diff :-) |
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I re-encoded The Shield again last night: took out the director's commentary (unfortunately -- I find those interesting, but it was 200mb I needed for the video), resized to 704x480, added 8-pixel overscan (not sure if this does any good, since it's not a multiple of 16), used UnDot and Deen, increased the VBR bias (maybe shouldn't've) and the quality precedence. Came out much nicer than my last encode. Perhaps a little soft, but a lot less mosquito noise and hardly any macroblocks. Not bad for three hours of video. |
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But perhaps you encoded in 2pass ? |
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I've re-encoded two different discs with it so far. The movie (The Station Agent, R1) looks outstanding, indistinguishable from the original. The Shield, R1 looks really really good since I re-encoded it again last night with different parameters, slightly more filtering, and at 704x480 instead of 720x480. I'm not sure it's wise to dismiss a tool after one test. If we'd done that when designing the filesize prediction method it simply wouldn't exist, because my first 50 or 100 tests were failures. Kwag, I know, ran many more than I did. It took a long time before we came up with something workable. Trying something once and saying "it doesn't work" without tweaking and testing and retesting and making AVS scripts to do side-by-side compares and taking screenshots and generating 700-post threads is not the KVCD way ;). Quote:
RBOpt isn't a patch -- it's a standalone program that you can run between the "Prepare" and "Encode" phases in order to adjust bitrates, AVS scripts and CCE parameters. You can alter the bitrate for an entire VTS or right down to the individual cell level. That way if DVD-RB doesn't automatically reduce the bitrate on credits (because the authors of the source DVD didn't) you can do it manually. Or you can pull down the bitrate on cells you know contain only low-motion material, up it on high-action cells, pull it way down on studio logos if you haven't already stripped them out, etc. It's a fantastic tool for fine-tuning the bitrate allocation and I think you'd find it very useful in obtaining great results from DVD-RB... |
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OPV, dear Sir, OPV in CCE 8)
-No More Multipass |
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And is the quality as good as 2-pass? |
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I'm not sure that is a feeling esay to explain. It's like cooking a recipe, knowing you wont like it because it involves garlic and you don't like garlic. You need only one bite to see if the taste pleased your mouth or not. Here it's the same thing, except I can't decide to just drop the garlic from the recipe :-) Quote:
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Since the professional (and very highly paid) compressionist has already gone to this trouble for us, it makes sense in most cases to use precisely the method that DVD-RB uses: encode cell by cell and reduce the bitrate proportionally to the existing compression structure. That way if the compressionist originally decided to use half the average bitrate on a particular segment of the movie, so will DVD-RB. If he decides a segment needs a much higher bitrate, DVD-RB will use one too. Automatically. Course, this assumes the compressionist knew what he was doing. Lower budget productions often can't afford the very best compressionists, and they can often be optimised. Luckily we can use RBOpt to redistribute the bitrate accordingly. Quote:
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I encoded Titanic, because it had two things that I wanted : a 3h length and less than 500MB of extras (mainly animated menus). I didn't want to use a DVD where half of the space is used (wasted) for the extras. I have LOTR King return on my '"to-do" list. Perhaps it will be a better choice. I'll see that. |
By the way, I just encoded (with RB-Opt "SG" :mrgreen:) a sample of the second volume of the TV show I recently did with DVD-RB and CCE. But this time I used the Notch matrix... I've not watched it on the TV yet, but on the monitor the difference is clear. The Notch matrix is much better at lower bitrates 8O.
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I will certainly suggest to robot1 that it be included in the package... |
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