Great to wake up and see this reply! Thank you.
Yes, the 9700 and W5U will be the main decks used. I can imagine that most of my NTSC tapes that are of good quality (i.e. Japanese ex-rentals) would most likely just go from deck to burner. However, I own quite a few NTSC tapes that use original workprints/theatrical prints that are beat up, faded, scratched etc, and the tapes themselves are pretty worn out. I can imagine that I would probably use the proc amp, image enhancer and/or software to try to help these. With the PAL tapes, I will probably need everything I can throw at them. (The tapes from Greece, especially.) These will be the most labor intensive.
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Did you want to go the computer route, or the DVD recorder route?
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Whichever (or both) you think is best.

I do know that the computer is an absolute must for the majority of my collection. From restoring the horrid audio with pops, hisses, low audio etc, alone in most of these films, I will need to run it through a computer. Really, the only films that will go through hardware straight to burner will be the Japanese tapes. I only own about 70 of these and the rest (about 800) will need to go through a capture card.
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What kind of computer do you have, or were you planning to get?
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At least two. Both to remain offline. I have a laptop to be my virus fly-trap.

I'd have them online long enough to download the software that I couldn't buy disc versions of (i.e. neatvideo, dvdshrink, etc) and then never connect to the internet again with them. But I've been waiting to make any computer purchases until I consult y'all.
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What kind of work do you want to do?
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I want to:
1) Restore the audio.
2) Dub foreign language prints with English versions. (Rip a English language from an ugly print and put it on a beautiful foreign language print)
3) Subtitle.
4) On the video stuff I want to tinker, play around and have fun.
You ask what kind of errors I see. Have you ever watched a Greek VHS of a movie before? Hahahahaha... Oh man, it needs so much work it
looks overwhelming.
On "Come cani arrabbiati", for example, the projectionist that's doing the transfer constantly has to keep the film in the center. You'll be watching it and all of a sudden it's way to the right. Then you can tell someone is moving it back to the center. I would want to keep it in the center at all times.
Also, it is squeezed in on the sides to make it fullscreen. i.e.
I would want to expand it, making it look like:
Here is another grab for you to see the imperfections:
I did not grab any of these myself, but they are exactly what i know I am going to face. Come cani arribbiati, especially, since I own it.
The last grab I am going to post is just of one that I saw the other day. It is a perfect example of the signal I am going to have face with the majority of the tapes I own. This, is an SP ex-rental from the 80's:
I really hope this helps you understand what I need to tackle. (I know a picture is worth a 1,000 words, right?)
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Flash drives & dvd. I know LordSmurf is not going to like seeing this, but I'm highly considering BD just so I don't have to lose any data for playback.
I own a HP 4-in-one (printer, photo, fax and scanner) that will do a good job for the inserts.
If you can think of anything better than flash drives for long-term storage I'd like to hear it.
Thank you, kindly.