Quote:
Originally Posted by lordsmurf
By using an HDMI adapter, you're massively screwing up the signal. You won't be able to tell anything whatsoever.
People need to quit trying to force SD content into HD/HDMI. It's not a simple matter of adapting, but one of reprocessing the signals. Whatever flaws exist in the SD signal are now baked in, forever embedded in the video. That's not good.
The rolling indicates it's not a TBC, at least not for the source being used. That's not unexpected behavior.
Solution = get an actual frame TBC.
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Now I think we're getting somewhere. So we've determined that unlike the Panasonic AG8700 which does have full-frame pass-through capabilities the Betacam decks do not. That is what I originally set out to determine to crush the rumors. It is still yet to be determined whether Betacam can act like the Panasonic "ES" series recorders as line TBC pass-through (not real line TBC). My hopes on the usefulness of the experiment are now starting to dwindle.
When all is said and done if TBC does not work, it could be that Betacams are no more useful than buying a Sima SCC for proc amp controls (wish I could find one of those for sale) only 50X bulkier and heavier. Don’t want to call it a failed experiment yet though.
Quote:
Originally Posted by latreche34
A digital circuit that compensates for missing RF signal due to tape drop outs. For the age of that VCR I'm guessing it will be a line or two compensation, Not like something fancy from JVC VCR's at the end of the VHS era that used not just multiple previous lines but fields to correct for noisy lines.
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Now I was reading this from your host, but I assume those JVCs come from a much later era.
“A trivia worth mentioning is that the Panasonic AG-1980P comes with a "full field" TBC, which is not the same as a full-frame TBC. It's more like multiple lines of correction, instead of single-line correction. However, it is not superior (simply due to having extra lines) to the single-line TBCs found in the higher-end JVC S-VHS VCRs.”
By the way great thread with loads of information below.
http://www.digitalfaq.com/forum/vide...#ixzz6yJpOSt00
-- merged --
Update. I'm about to purchase a TBC calibration tape on eBay for $100 so I can conduct this test. It has lines and shows test screens to make comparisons back and fourth. If this is a bad idea please and thank you stop me. When this is all over I'm probably purchasing an external frame TBC before I run the device into Betacam. A lot of external TBCs have proc controls which makes the Betacam now kind of a redundant and pointless and uneeeded step unless it offers line fixes. Hmmmm...
Last night just shooting the the wind I tried running s-video into the Sony SVO-5800, ran digital component out to Betacam, then digital component out of the Betacam to my television set to see if it stabilized and liked a digital signal better. I'm sure there is a technical reason why but I got a blank no signal at all. So step #2 has been debunked.
At this point now to have any meaningful test I have to use the AG7350 with external sync, which means I have to replace four fried caps on the the servo circuit because it won't track at all. Think I may be better off buying the TBC first and using a different VCR to run the test.
Quote:
Originally Posted by Alessandro Machi
The Panasonic 1980 was probably one of the most utilitarian VCR's ever made. In the six hour mode picture quality wise nothing was better than the Panasonic 7350.
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I can't help but look back at this comment a month later. It should be noted that the 7350 now that I've had some time with it does not have frame or even line TBC capabilities that most newer JVC and Panasonics had by the mid 90's. The AG1980 does line corrections very well. This is something that really cannot be acomplished externally unless the Betacam turns into a miracle. I'm still not giving up on this project until I have a definite answer.
I believe you mentioned that because the six hour head does not read HiFi that it produces superior image quality. That would make some sense. HiFi has been known to interefere with picture during loud parts. Notabably in movies with lots of explosions.