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06-02-2024, 03:18 PM
aramkolt aramkolt is offline
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What test patterns are most useful in testing analog conversion gear?

I’m getting into the testing phase of a variety of capture cards, TBCs, VHS players, upscalers, and deinterlacing methods. My question is, how would you best “objectively” test them?

Certain test patterns should expose some of the pros and cons of various hardware and possibly even identify dropped frames if those digital patterns are recorded onto VHS and then played back for capture. It would also give a reference as to what the original looks like compared to different capture methods.

I also don’t have particularly bad tapes that already have significant timebase errors, so are there any good methods for creating timebase errors during the recording?

A few patterns that I think will be useful are attached - but they may not be ideal, hence reaching out to those that know more on the topic or have ideas on what to try.

The AudioVideoSyncFrameDropDVD test can be played on a DVD player and recorded to VHS until the tape is full. Audio sync and frame drops and duplications should be obvious as the tape progresses due to the incremental change between frames. It is a looped version of this YouTube video here: https://www.youtube.com/watch?v=ucZl6vQ_8Uo in 6 minute increments and the DVD is set up to loop that chapter continuously. The idea is that it should be able to get around needing to see if you are having frame drops or duplications.

To use the sync test yourself, you’d just burn it to a DVD using any program that can burn ISOs and then record the DVD player’s output to a VHS or other analog format, then capture it to see if audio goes out of sync or if you see frames repeat or that are missing.

There other patterns I haven’t made into DVDs yet (they could all be put onto a single DVD), but wondering if there are some critical patterns that show the most information in terms of automatic gain control, sharpness, blending of frames, video artifacts, deinterlacing issues etc.

The one Interlaced pattern has the “I” in odd fields and the “II” in even fields, so you can tell if your capture method is just discarding one of the fields as one of them won’t show up in the capture. It’s also kind of interesting to play it in VLC and see how the different deinterlacers in there handle it.

I believe the test I have labeled as AGC is meant to stress the automatic gain control and determine if the capture card fails at capturing dim details when there are very bright areas on screen, but feel free to correct me if that is not the purpose of this test pattern.

I also plan to use the Snell and Wilcox Zone Plate test, I'll attach that in the next post since it is too large for a single post with the other files.

Any thoughts or hardware testing is appreciated and hopefully the Audio/Video Sync test helps someone test their own gear!

-- merged --

Attached is the Snell and Wilcox test pattern that shows a variety of things including how diagonal lines, high contrast, and resolution are handled. It contains two versions of the pattern that switches half way through. This came off of Internetarchive.


Attached Files
File Type: iso AudioVideoSyncFrameDropTestDVD.iso (70.00 MB, 5 downloads)
File Type: mkv AGCTestFlash.mkv (18.71 MB, 2 downloads)
File Type: mkv InterlacePattern.mkv (3.84 MB, 2 downloads)
File Type: mkv Snell2Pattern.mkv (55.14 MB, 7 downloads)
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  #2  
06-02-2024, 05:58 PM
dpalomaki dpalomaki is offline
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Most resolution charts test black and white performance because that is what the eye perceives for resolution. They largely ignore color. VHS tapes typically provide around 240 lines of video resolution (measured for B&W) but on the order of 40 lines for the color portions.

I've used the attached 12 second loop of NTSC SD video to assess color performance (SDColorTest.mpg). It is comprised of a uniform luminesce of 43 IRE alternating between green and gray.

The S-3500PB-1 file shows how the limited color frequency response of a VHS record/playback cycle has smeared the color information.

The .PNG is the source file for the chart showing the color bars.


Attached Images
File Type: jpg S-3500PB-1.jpg (38.4 KB, 7 downloads)
File Type: png 720x480-C-Test.png (19.9 KB, 8 downloads)
Attached Files
File Type: mpg SDColorTest.mpg (6.59 MB, 2 downloads)
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  #3  
06-02-2024, 06:08 PM
latreche34 latreche34 is offline
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It is better to use non compressed test materials, Such as Bitmap single frame or lossless AVI made from a Bitmap frame, You don't want compression and chroma artifacts to get involved.

https://www.youtube.com/@Capturing-Memories/videos
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  #4  
06-02-2024, 07:53 PM
dpalomaki dpalomaki is offline
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Quote:
It is better to use non compressed test materials,
In general yes.

The PNG file can be used to create a new video in any desired format. It itself is lossless.

The MPG file is usable for assessing frequency roll-off in spite of compression artifacts. But of limited value for other video quality aspects.
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06-05-2024, 07:07 PM
aramkolt aramkolt is offline
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Good info for sure, I'll have to implement this in my testing of various equipment so that I have a sort of standard for comparison.

I did decide to splurge on a Snell and Wilcox TPG21 which I believe produces the Snell and Wilcox Zone plate patterns with (and without) movement. So that others can benefit from this as well, I plan to capture the SDI output of these patterns with 4:4:4 chroma subsampling for PAL and NTSC and post those files so that they can be played back. Right now, the best we have I think is the different Digital Video Essentials test discs which I know at least on the DVD version are 4:2:0 and a relatively low bitrate Mpeg2. I'm not sure how exactly the patterns are encoded on the later high definition versions work when playing into standard definition equipment.


As for the patterns that are in PNG form - What is the best method to turn those into an accurate S-Video signal? My guess is using something like Davinci Resolve with the PNG as a "video clip", then use a Blackmagic SDI Monitor 3G for the SDI output and then converting the SDI digital component signal to analog with an SDI to analog converter such as the brighteye BE11 or a Blackmagic SDI to analog converter?
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  #6  
06-06-2024, 09:11 AM
dpalomaki dpalomaki is offline
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I would place the image on a timeline in a good NLE. Configure the NLE it for the video standard you are using, set the clip duration as desired, and then you could export the resulting video to a file type you like, or output it directly from the computer if your gear supports it. The image used should be created for your video screen size.

I have output analog video from my IP card in both composite and s-video format to VCRs as well as HDMI to a TV set.
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