Your confusion may come from "lines of resolution" analog and #x# (ie 720x480) digital.
This is analog lines:
||||||||||||||||||||||||||||||||||||||||||||
VHS has about 240, S-VHS (and s-video carrier) has about 480
The ------ is fixed at x486 in digital terms.
This is digital: x# = ||||||||||||||| (ie 720x)
#x = (ie x480)
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The "240" number was often used in the VCD era, but flipped. So there was this clueless notion that 352x240 = "VHS resolution", which wasn't at all the case. More like 250x480 was correct, and interlaced.
The threshold for interlace allowed for x288 interlacing, but it was weird and wrong. Just trivia more than anything. It did create some fun xVCD encoding scenarios, but nothing valid or compliant to anything.
Rectangle/square doesn't exist in analog.
What matters is that the digital capture palette allows for acquiring the analog data. So 352x480 technically suffices, and was great in the DVD MPEG-capture era. For lossless, just do 720x480, especially since most capture cards and capture software are attuned to it. They can get confused by anything not Full D1 (720x480 pr 720x576).
Does this all make sense?
Next topic...
The sharpness of the 2250 was probably more accurate than the VC500. The VC500 sample has very distinct haloing around the letters, black edging. Both of them do, but the VC500 image is just juiced a bit. I'm not a fan of falsely sharp images, because it creates noise. Noise isn't detail.