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Originally Posted by J-Wo
1) Should I be setting Force Film in dvd2avi
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Be careful!
Do a preview in DVD2AVI and upper in the right window you can see
29.976 NTSC (you will see comb artefacts in moving scenes) OR
29.976 NTSC FILM!!
The second one means your source is encoded at 23.976 in real using the pulldown while play. And in this case use FORCE FILM.
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2) Should I be deinterlacing, and if so which filter/parameters
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As you also want to keep a anamorphic stream and by this already the CQ will rise up .... you shouldn't deinterlace cause of resulting less details.
Use Boulders version of an interlaced MA Script as posted in this forum and perform a mpeg2/interlaced encoding.
BTW!: If your source s really interlaced (comb artefacts) do not! use Forced Film in DVD2AVI! cause if its interlaced .. it will be real 29.976 NTSC
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3) What framerate should I be encoding in? Am I able to deinterlace, encode at 23.976 with a pulldown to save space? (I'm not even certain if this last statement is correct)
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Encoding a deinterlaced / inverse telecined back to 23.976 Stream you will save a very lot of space cause of 23.976 instead of 29.976 FPS encoding.
Ask the NTSC deinterlacing cracks in here how to apply the needed Lines in Avisynth. After this you can do an encoding performin the 3:2 Pulldown "while play" here its explained:
http://www.incredible.de.tf/pulldown.html
There its also explained WHY we use a 3:2 Pulldown.
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4) What about Interlace Resizing? I've never used this before but read about it in another post...
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What do you mean? resizing an interlaced stream within the picture, or a resized overscan?
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5) What does the 3:2 pulldown detecting in CCE mean? If I select it, can I avoid having to run pulldown.exe after encodign?
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It means the same when applying the "3:2 Pulldown while play" in Tmpgenc, like explained in the link to my page above.
And therefore "yes", if setting the 3:2 pulldown in the encoders options ... you don't have to perform the pulldown.exe appl. afterwards, because the job is already done by the encoder!
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And last but not least, I noticed my source material is quite grainy in the background... I was wondering what settings in the optimal MA script I might be able to modify to clean things up a bit.
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Many poeple like me too are trying and trying and trying, performing MA mods on BAD Sources, .... but BAD Source stands for a full of individual variants where individual filters have to perform .... thats the main difference in comparison when filtering a clean DVD Source.